In copyright law, an artist does not sign away the copyright to an artwork simply by allowing the artwork to appear in an art gallery. However, where parties agree in writing that a work is a “work made for hire” and where a work is a “contribution to a collective work,” the commissioning party—and not the artist—is the copyright owner. In this Contribution, Michael Gladstone (’22) argues that in at least one case, an art gallerist could own the copyright in an artist’s work: where the work was specifically commissioned for use in a permanent art installation.
The Proceedings of the NYU Moot Court Board, or just “Proceedings,” is the online journal of the NYU Moot Court Board, documenting new approaches to unsettled legal questions proceeding from moot court activities, particularly law student competitions.
Proceedings aims to realize for the wider legal community a benefit of mooting that has hitherto accrued only to participants. As most appellate lawyers know, one of the best ways to refine a theory of a case or an area of law is to argue about it, either with colleagues or before law school professors. But student Moot Court competitions, which consider some of the most interesting and intractable problems in law, generate hundreds of hours of formal, inquisitorial analysis of those problems by professors, practitioners, and judges (not to mention reams of legal writing)–and then, too often, the results are thrown away when the competition is over.
No longer. Proceedings is the journal where lawyers and law students can publish their “test results” from the legal laboratory of mooting that tests both old and new approaches to unsettled areas of law. It aims to realize mooting’s potential not only as a valuable educational exercise, but as a productive forum for legal research.